Showing posts with label #author. Show all posts

Free Ebook In Honor Of Veteran’s Day!


Kicker (The Forgotten Front) is free on Amazon November 9, 10, and 11, to honor  veterans. Here's the link:
https://www.amazon.com/KICKER-Forgotten-Front-hardships-territory-ebook/dp/B0777TFVC4

This book sheds light on our forgotten veterans of the China-Burma-India theater in World War II.

R. Grey Hoover who is the author of Kicker, asked me if I’d help him spread the word about his free book. It’s his tribute to those veterans. Of course, I said yeah. I’ve always supported our veterans who honorably served our country, and every chance I get, I thank them for their service.

BLURB:
World War II is raging. A young father must choose between his family and duty to his country- a decision that could cost him everything.
Based on actual experiences of United States veterans and official military aviation history records from World War II, this is the thrilling story of a family’s journey into war. While his loved ones struggle with shortages and rationing at home, Sam endures relentless Japanese attacks against his unarmed aircraft over the treacherous mountains and torrid jungles of Asia. His job is to drop supplies to Merrill’s Marauders and over 750,000 allied soldiers fighting in the perilous jungles of Burma. If the enemy is not stopped, the American way of life will end.
If you like non-stop action with a touch of humor and romance and the chance to learn about the “forgotten front” of WWII, then this is the book for you.

AUTHOR BIO:
R Grey Hoover is an Air Force veteran with a family tradition of military service that dates back to the American revolution. He wrote his book “Kicker the forgotten front” to honor his father and the other veterans of World War II who fought in the China-Burma-India (CBI) theatre.  During the war, the European and Pacific theatres got most of the supplies and media attention leaving the CBI theatre with the leftovers. Even in today’s media coverage of World War II the CBI theatre is never mentioned. The author’s book is an attempt to correct this gross oversight.

R Grey Hoover’s social media links:

EXCERPT:
18



      Sam and Bobby Joe were totally exhausted when they crawled into their charpoys. The harrowing events of the day had taken its toll on them physically and mentally. In spite of the heat and noise of the jungle, Sam felt the blessed relief of sleep approaching soon after his head hit the pillow. However, as he drifted off, a feeling of unease came over him. It was a feeling that something was wrong, not here in India, but at home. He didn’t know if he felt uneasy because he still hadn’t received mail from home or because of some unknown reason, but the feeling stayed with him until he finally succumbed to his exhaustion and slipped into a deep sleep.

Thankfully, his slumber was not disturbed by his recurring nightmare, and he slept soundly until the wee hours of the morning when he suddenly awoke not knowing what had disturbed him. A light rain was falling outside, and except for an occasional flash of distant lightning, the basha was in total darkness. He lay very still, listening to the sounds around him. He strained his hearing, but no sound came except for the steady breathing of the sleeping men around him. After several minutes, he relaxed, thinking his imagination was playing tricks on him. He was almost asleep again when he thought he detected a faint unfamiliar sound coming from somewhere in the basha. Once again, he listened intently, not sure he had heard anything; but then he heard the sound again—only this time it seemed closer, and he was sure it came from within the basha. He couldn’t quite place the sound, but it seemed like something soft brushing against an object. He listened closely, but all was silent. None of the other men in the basha stirred, and after an extended period of silence, he relaxed once again in anticipation of sleep.

      He was in that dreamy state just before slumber when he felt the presence of something or someone nearby. Once again, his senses came to full alert, and he made a conscious effort not to move. He listened carefully, bringing all his senses to bear. He could see or hear nothing, and yet he was sure something was there. He was startled when someone at the other end of the room moved, but then all was silent once again. He was lying on his back, so he slowly moved his head to the right and scanned the darkness.

      At first he saw nothing, but then attention was drawn to a slight movement at the foot of his bed. He couldn’t make out what it was. It appeared to be an undistinguishable shadow against the darker background of the room. As he watched, the shadow moved, and he held his breath as it silently glided along the side of his bed. There was no sound as it moved, and it slowly drew nearer and stopped near the head of his bed. He could tell that it was something large, but due to the extreme darkness, he was unable to see what it was. His instincts told him this was something dangerous and evil, and the hairs on the nape of his neck stood erect. At that moment, a distant flash of lightning faintly illuminated the scene, and in that instant of light, Sam could see the large form of a tiger standing beside him.

The animal’s head was enormous. Its eyes, momentarily reflecting light from the faraway lightning, gave the beast an evil, devil-like appearance. This was death incarnate staring directly at him.

      Sam was frozen with fear, and his heart seemed to stop. His .45-caliber pistol hung on the wall not three feet away, and he cursed himself for not keeping it inside the mosquito netting with him. He knew the tiger could see that he was awake, and he feared any movement would cause it to attack. The animal stepped closer, and Sam could see its dim outline and smell its damp fur and the fetid odor of its breath. The tiger appeared to know its victim was helpless. The great beast took its time as it sniffed the mosquito netting as if testing its strength. Slowly it raised a huge paw and placed it against the puny impediment. The tiger’s claws caught in the netting, and with a mighty swipe, it ripped the flimsy material away from the bed.


Kicker (The Forgotten Front) is free on November 9, 10, and 11. Get it before this offer expires.  



Six Tips On How To Overcome Writer's Block


I know what it’s like to have writer’s block. I've experienced it many times. 

Some people claim that writer’s block is bullshit. 

Whatever.


If they've never experienced it, good for them. However, I have and so have all the authors I know, and I’m friends with quite a few.

So how do you overcome it?

I’m going to tell you how.

We’ve all been there—at least us mortals have—where you’re cruising along in your story and BAM! It’s as if your brain suddenly clogged up.

WTH?

You sit there, staring at the computer screen for a while. 

Whom am I kidding? 

For an hour or HOURS and nothing comes to you.

Now what?

Here are six tips you can try the next time you experience the dreaded *stage whispers* writer’s blog.

1.) Walk away!

That’s right. Save what you've already written and walk away. It does you no good to sit there and stare at the screen. So do something else. Clear your head. Relax. Then go back to it later.



2.) Read.

Read a book in the same genre you’re writing in. You’ll be surprised at how well that works and the inspiration it’ll spark within you.

3.) Watch a movie or TV show.

Watch a movie or TV show similar to the type of story you’re writing. It works the same way as reading a book.

4.) Read what you've already written.

You don’t have to read everything, just the chapter you're working on or the one before it. Sometimes reevaluating scenes will make you realize there are things you need to change to make your tale much better.

5.) Be honest with yourself.

Maybe you hit a brick wall because you’re not into the story. Your passion has fizzled. Maybe you need to strip the whole tale and start over or make some major changes.

6.) Get a good night’s sleep.

Maybe you’re tired and need a break, which is fine. There’s nothing wrong with that. Set your manuscript aside, eat a good meal, have a relaxing evening, and get a good night’s sleep.

How do I combat writer’s block? 

I read a book in the same genre as the one I’m writing in. 

It works for me. 

So try it or any of the other suggestions I've mentioned. You’ll be surprised and pleased with the results. J



The Internal World Of An Author



I can’t speak for all writers, but this is what my internal world is like as an author.

I have a loud mind.

Stephen King once said quiet people have loud minds. I don’t know. I mean, I’m quiet when I have nothing to say, and I don’t ever have the need to hijack someone’s conversation . . .  so yeah, now that I think about it, I do have a loud mind.

My thoughts constantly scatter.

I can have a conversation with my husband and think of other things at the same time. Where I get into trouble is when he’s telling me something I’m not in the least bit interested in. I’ll focus on my thoughts instead and not hear a word he’s saying.




My mind always turns an unexplained noise or situation into a story.

This is so true, and nine times out of ten I’ll tell the person with me about it. And yes, that person looks at me like I grew another head—unless it’s another author I’m telling it to.

I'll compare real life situations to fictional ones.

I’ll compare a situation someone is in or was in or something that happened that’s relevant to one of my characters, and I’ll talk about it.

Self-induced stress.

Sometimes I become anxious and irritable when I have so many things to do like edits, rewrites, posting, marketing, etc. and not enough time to do them. Basically, I get overwhelmed, and my thoughts won’t stop whirling.

I have stories racing through my mind.

I have so many stories I want to write but not enough time to do so. 

I’m never bored.

It's very rare that I'm bored. I have too many things to do to get bored.

Crankiness.

If I’m not working on a story, I get grumpy and depressed.

Anxious.

I get nervous and scared when other people reads my story.

I'm a serf to my imaginary friends.

My character’s talk to me, and they can get demanding to where I have to appease them. I am their slave.

Happiness.

I get excited and giddy when I’m creating a story. 





My characters crack me up and make me weep.

I laugh when one of my characters does something funny. I also cry when something bad happens to them.

So do I like being an author?

No.

I frickin’ love it.

Why?

Because despite the anguish as an author I go through to churn out a novel and market it, I created something out of nothing. I have the ability to transfer what’s inside of me, onto paper, and into other people’s minds. I can share with them worlds and characters they never knew about. I can teach them lessons or at least get them to think on topics they never thought about before. I can make them laugh, cry, smile, and get frustrated. I can entertain them. I’m giving something to this world that more than likely will last well after I’m gone, which rocks.


Yes, I’m overwhelmed. 

But . . .

Being an author makes me happy and want to do a silly dance.






Enough said.

The One Secret To My Editing Process That Every Writer Should Know




As some of you know, I've finished the first rough draft of Legends of Deceit book 2. I still don’t have a title for it, but I will soon.

I was going to write a post on my writing process from start to finish but decided to save that for another time. Instead, I’ll tell you straight up what that one secret to my editing process is.

Are you ready?

It’s finding your repetitive words, descriptions, or sayings.

We all have them.

Say for example you wrote: my heart thudded hard against my chest. You noticed while you were doing your first read through that you had used those words more than once to describe what your character was feeling. So now what you want to do is discover how many times you wrote it in your story.

How do you do that?

Simple.

In Word, you want to go to the top right-hand corner and click on find. On the left-hand side of the screen, there will be a window that pops up. Beneath the word Navigation will be a search bar. Enter the word(s) you want to search for to see how many are in your story. I just typed in draft, and it came up twice. 

How cool is that?

This secret trick of mine will help you tremendously in your editing process.








Cheers. 

A Quick Cool Tip For Authors

I have a cool tip for authors like myself but there’s a quick story that goes along with it.

I was interviewed by AP (Alternate Perceptions) Magazine hereà http://www.apmagazine.info/index.php?option=com_content&view=article&id=1122&Itemid=194 and a gal in my town read it. She stopped by my office on Monday and told me she had been wanting to read my books. Here’s how the conversation went:



Gal: “I read your interview. Wow. Your parents were UFO and paranormal investigators . . . and your books. Where can I get them?”

Me: “You can get them on Amazon or Sweets ‘N Stories here in town. They might still have them. I do have some in the trunk of my car.”

Gal: *Her face lit up* “Really?”—She motioned to go outside—“Let’s go see.”

Me: “Okay.”

We went outside, and I popped open the trunk of my car open and dug in the box. “I have the first book.”—I handed it to her. She asked me how much, and I told her—“I also have the other two books in the trilogy. If you like the–”

Gal: “I’ll take those, too!”



Me: “Okay.” I told her the total price, she wrote the check, and handed it to me. When she got in her car, she told me she’d write a review for each of my books on Amazon.

Double score if she does.

So what is my author tip?

Did you figure it out?

Always keep some of your books in the trunk of your car.

Seriously.

This isn’t the first time this happened to me.

Another time was when I was buying a cell phone. The gal who owned the business had read the first book (Beyond the Eyes) in the trilogy and had asked me about the second book. I’d never seen this gal in my life and didn’t have a clue she was a fan of mine. Anyway, I told her I had the second book in the trunk of my car. She was absolutely thrilled and bought it right there.

So, yeah. Keep a copy of your paperback books in the trunk of your car.

Cheers!


You Should Avoid This While Writing Your Story



Can you guess what the answer to this title is?

Predictability.

Don’t you hate it when you’re reading a book or watching a movie and you know what’s going to happen before it does? 

I do.

Like the movie World War Z. 

Toward the end of the movie, I knew what was going to happen. In fact, I told Kevin before it did, and I was right. Actually, the entire script was predictable. 

As a writer, you want to avoid having your story be too transparent where the reader will be able to predict the outcome before it even happens. However, you want to capture their interest and keep them guessing. Therefore, you need to leave clues and red herrings to mislead or distract them. Then in the end when everything in your tale comes to light, your reader will be thrilled to discover she was wrong all along or was close to figuring it out.

Another movie I want to mention:

Wild Things with Neve Campbell and Denise Richards.

Have you seen it?

This is a great example of what I'm talking about. 

The writer did a fine job on this one. 

I remember when Kevin and I first watched it we were like, "No way! That’s fucked up." As we kept watching the movie we gaped at each other a couple of times because we weren’t expecting the things that had happened. 

It was great, especially the ending. 

The story and the plot totally surprised us.

This is what you want to accomplish.

I do, however, think in some genres you have to be somewhat predictable, like in romance. Most readers of that genre want a happy ending. So, yeah, in the end, the couple overcomes their adversity and falls into each other’s arms, proclaiming their undying love for one another or something along those lines. You
can, though, still make the rest of the story less predictable. 

Example: You can have two different paths the main character is forced to choose from. Write both of them to be equally compelling and plausible with a dusting of suspense on the life-changing events. You can create it to where it's a nail-biting decision where either way the character has a lot to lose. 

Besides leaving clues and red herrings, you can also do foreshadowing, which is when you as the author hint at certain plot developments that may come to fruition later in the story. It’s another way to capture the reader’s interest and prepare them for what might unfold. 

I do those things in my Beyond the Eyes trilogy, and I’ve actually had fans come up to me and ask about a character or situation they want to know the outcome of. I’m keeping them guessing and they’re so involved in the trilogy that they’re fishing for answers from me. I just tell them they have to read the next book to find out. 

Evil?

Nah. It makes me happy I’m doing my job and have people actually emotionally invested in my characters and story. 

That’s what you want. 

And yeah truth be told, you can’t please everyone. 

People are going to hate your story. 

I have a few who hate mine and have said nasty things about it. But that's part of the business. 

In short, there are some genres you can’t avoid the expected predictability. 

But regardless, if you write a tale where the audience is looking for a happy ending that you must deliver, you can still keep them guessing throughout the story by spinning it with suspense and uncertainty. 

It’ll keep them turning the page long after bedtime. 

So throw in some hints, scatter a few red herrings and do a little foreshadowing. 

Hints + red herring + foreshadowing= suspense and unpredictability.

Those three things carefully executed into your story will delight your readers in the end.